Our tireless Set Designer Mike Best, and C1′s Production Manager Alyssa McKeon, visited Nissenbaums Auto yard to check out potential options for Lexi’s car. Didjya know you can just rent an empty front end? Check these out:
Bonus: check out Nissenbaum’s Car Crusher!
(We're going with the white one.)
Special Effects Designer Lynn Wilcott and director Greg Maraio shared some of details on making the production as full of gore as we’d hoped.
A few more views of the set model, by Set Designer Mike Best. (Click images to enlarge.)
Designer Mike Best shared a model of the set-in-process. Check it out!
Our Sound Designer Edward Young has been creating some initial soundscape tracks. Check it out, here.
Designer Cara Pacifico shared the next step in her costume plot with us.
Cara says: “We had talked about wanting the characters to have a connection to Jess but, after hearing from Lauren, I think we [also] want to get a greater sense of Lexi’s isolation and discomfort. [So,] all of the female characters should have a connection to JESS; we should see elements of her in every other female character (and I’m hoping Lexi, as part of her time-warp of grief, sees those elements too.)”
It’s still in process of course, but here’s a sneak peek!
“Kayleigh stands in front of the closed auditorium doors. She wears an honor society hat, which is an important but ultimately stupid-looking hat.”
Lauren shared this image — the honor society hat similar to the one from her own high school.
Some points of inspiration for Hookman’s 2nd hook.
(A new, more menacing hook grows out of Hookman’s stump. It’s bigger, sharper, shinier. Maybe it’s a chainsaw hook. LEXI sees the new hook with dismay, gets quiet. She tries to stab him with her pie knife, but he destroys it. Oh shoot.)
